ostatnie his works". To say enough, that in these works, as Jachimecki turned this attention recently, to find foetus later easily "music future", not tylko Wagnera, ale and Richard Straussa. "Enthusiastic komentatorowie Elektry R. Straussa - writes They Jachimecki - would astonish with message surely, that it the strongest muzycznie scene Chryzotemidy has in ekspulsywności one's classic prophecy in parties Polonaise - imagination opus 61, where it gushes modest also the source of music of characteristic passages the Zygfryda Richard Wagnera."

IX

Works, in which Chopin the most distinctly underlined Polish character of one's music, the mazurkas are doubtless. This is the row of small masterpieces the sizes, ale amazing with variety of mood, once doleful and sad, once good-humoured and rakish, once playful and playful, and sometimes gloomy and dramatic, and always blowed with breath of the cleanest poetry about character sielskim, the people's, in kind of Piosnek the sielskich Witwickiego. It on this similarity falls out to turn attention, because how