she crushed. Senses here growing, powerful effort, obstinacy, tension of all strengths; moments are the zebrania of, fall, ale after this tylko, to then to break in yet higher: four final tacts they begin on newly, from foam subject; in next it grows he half-tones, heavily, powolnie it in third increases, in fourth comes to fortissima and on the highest note E ends great victorious piece-work - major. Prelud this is enormously plastic: halftone rising, slow straining subject; continuous, strongly kept legato, the separate pedal on every almost part of tact, powerful accompaniment with Chopinian tragical trills on low bass - notes - all then together: shortness, shortness - acts Prelud this so powerful how the most heroic passages Beethovena, differing from this ostatniego man's and passion tylko nerves born in different times and living with different life than Beethoven. They are careful for composer Chopina lounges: this one Prelud we which can break piano, it receives similar opinions every bases'. No lounge on world will bear similar composition acted suitably, probably exceptional lounge. Just, ale then it seems that he would not be with lounge".