strange is sure, ale the many a time best depicting profile of Chopinian platitudes... Second half phrase, alive, it does not need closer comments. In second ośmiotaktowej change of tejże part stately very lovely pace is consideration rubato, coming in several tacts: after hitting stronger bes follows sudden turn and. it full charm, enharmonia throws us in world different, which pianissimo and without taktowej exactness it develops, hanging on this time every freely right of regularity. After this mischievous and full charm turn in two ostatnich tacts rhythm comes back, it smiles it oneself to us us reminds gracefully and again, that this marvellous imagination is not what different, tylko polonaise. It part ostatnia, pretty love, is brighter despite one's dwuśpiewu. They two points are in her tylko to distinction: turn towards foam near passage to tone Es - typhoid as well as powerful crescendo and ritenuto before return to subject Trio, which as a result of this in 4 first tacts it will have to step out with whole power; then again it will calm down and so as will finish wprzódy. Practically end this Polonaise has not also". "In Polonaise this - Jabłczyński says we - see from this Chopina he unrolled with all, what later in me, he strengthened and