oneself to one's culminant point, when every different composer, and Liszt first of all, yet in more far to rise draught dalby this current of passion, Chopin calms down, by marvellous and logical modulations it comes back to subject first, for what, tired, resigned, though mournful, it stands up on long fermacie! "Here... the end of despair: first subject comes back, ale bright, beaming and calm, in marvellous figuracjach, a bit reminding previous bother, spirit comes back to equilibrium, until having hit bass - F, after several tacts again it becomes Creator's faithful, humble son and in marvellous major pasażyku in inspired prayer shoots supposedly spirit... until under heavens ceilings! Here... supposedly end Nocturne] Ale then it does not suffice Chopinowi. He once yet it desires to explain, to summarize thought of one's poem. So painful minor piece-work hits forward supposedly, echo previous despair, and soon then by lower piece-work comes back to major tone it, in order to in her, supposedly in alleviation belief and hope, to rise gradually, across decided crescendo, to powerful, quite organowo sounding arpeggios!"

Nocturne Es -, seldom played, typhoid unfairly on